Creative Chat ‘n’ Blog – Leanne Moden

Listen to Leanne’s podcast episode here.

When lockdown came into force in March 2020, I lost all my freelance work overnight. As a performance poet, I do a lot of arts and music festivals, and the cancelation of these left a real hole in my calendar. I also run workshops in schools, and I had two large schools projects cancelled because of the pandemic. 

It was certainly a shock to begin with, but as a freelance artist, I’m fairly used to precarious working. Thankfully, since Spring 2020, I’ve been able to work with wonderful organisations like MarketPlace, and be part of innovative projects bringing creativity to communities in the digital space.  

As an educator, I was initially concerned that video conferencing would be complicated and sterile when compared to face-to-face facilitation. Luckily, the fantastic folk at Paper Cranes – the writing collective I run in Nottingham – were supportive and patient while we worked out how to switch to online sessions. Now, I relish the challenge of teaching groups online, and being able to continue to write with our collective has been a real boost to my mental health too! 

I also took the opportunity to do a number of live performances over Zoom, and I’ve really enjoyed ‘visiting’ events across the world. Being able to connect across borders and time zones has enabled collaboration on a scale I certainly never thought possible before!  

Over 2020, I’ve been intensely grateful to those organisations providing creative opportunities for artists and communities to work together. The MarketPlace Creative Conversations project in August 2020 was a wonderful example of this. The collaborative poem we produced is something that I am immensely proud of. 

Writing during a pandemic has been tricky at times, especially when the news seems so consistently overwhelming. But I have learnt how to ‘go with the flow’ a little more, and pounce on inspiration when it strikes. I’ve also learnt some brand-new skills, like video editing and production, which has allowed me to explore new ways of working and flexed my creative muscles. 

It’s been a hard year for the creative sector, but I’m grateful to have learnt new skills, participated in exciting projects and connected with so many lovely people. More importantly, I am grateful to all the key workers in the UK, who have ensured that our hospitals, care homes, supermarkets, post offices, healthcare, education services and other vital facilities continued to run through 2020. 

Thank you all.  

Written by poet, Leanne Moden.

Listen to Leanne’s podcast episode here.

Read about Leanne’s More Than Music project here.

Creative Chat ‘n’ Blog – Sally Rose

Listen to Sally’s podcast episode here.

What has lockdown meant for me?

I will be honest: to begin with, I didn’t miss the frantic journeys to and from the car, arms laden with P.A. equipment, with bags… bags of songbooks, bags of instruments (shakers, foot tambourines, hand bells, boomwhackers), bags of tea (3 kinds of), coffee, milk, squash (2 kinds of) and biscuits (numerous varieties).  Then came the realisation that all my future work and income had gone. 

Gone!  

At first, I tried to continue as best I could – positively – and like so many , I spent time recording videos and posting online.  I wanted to continue to reach out to the communities that I had established over the previous 4 years.  I wanted them to have something to refer to – a kind of guiding light in the face of growing darkness. Listening to the birdsong in the garden, throughout last summer, I spent wondered for hours thinking about the people who I no longer saw; those with whom I no longer had a physical connection; those whose collective voices had been cruelly silenced by an unknown killer.  

Unfortunately, the very nature of my work meant that not everyone could access and interact with online content. This got to me and gradually, I eased back.  Sometimes, for no reason at all, I felt the unstoppable, overwhelming urge to weep, tears rolling down my cheeks with the realisation that I could not connect fully with others through the internet.  I missed connecting in person: in real time.  Several people who attended my groups have lost their lives since last March. 

If they do return, my communities will not be as I knew them.

When lockdown eventually lifted last summer, the March Can’t Sing choir met up for several outdoor, Covid 19 secure, singing sessions. On those days, my heart burned as brightly as the summer sun and tears flowed down my cheeks, yet again, as I heard the collective voice soar as one with the buzzing bees overhead.  It is something I will never forget! 

People sometimes ask me why I lead people who ‘can’t sing’.  Well, all I can say is that the very act of singing is a magical thing.  Having a focus, having a purpose, connecting, breathing as one, having a go, laughing when things go wrong, being proud of something that you achieve, lifting depression, raising self-esteem, learning to use your body to sing, all brings people together in no other way that I know of… and it is so worth it!

As I reflect, I know that keeping my passion for singing is one thing that I will do.  There is a new dawn on the horizon, yet the world on which it will shine is still uncertain.  I still have my moments. I only hope that singing will rightly take its place, centre stage and re-unite communities once more.

Written by singer, Sally Rose.

Listen to Sally’s podcast episode here.

Read about Sally and the March Can’t Sing Choir here.

Creative Chat ‘n Blog – Michelle Brace

Listen to Michelle’s podcast episode here.

Imagination – Connection – Voice

This past year has challenged me to refresh my practice and align with new priorities. The world got into a slower gear but I felt a renewed sense of urgency for my work to be relevant and in some way useful and meaningful. For it to connect.

In ‘the age of isolation’ a priority human need surely has to be connection. Weve all needed to reach out to others for mutual support. As a solo artist I’ve found working and connecting with communities of like minds online to be a lifeline. Virtual meet-ups, courses and skills sessions have been so valuable in helping me to meet new people, keep up to speed, deepen existing skills and, believe it or not…. get excited about the future!! 

A lockdown commission opportunity with Marketplace prompted me to realise an idea which I’d had on my mental shelf for years gathering metaphorical dust. Mantelpiece was about creating a community of voices, displaying treasured objects together – on a digital Mantelpiece – and sharing the stories they told. Mantelpiece – now in a new phase of research & development – was adapted for Marketplace to be a neat little creative conversation starter for online group work. The hope is also that the process of sharing such unique and personal stories helped to promote greater empathy, insight & understanding between the people involved.

I think that living through a pandemic has sharpened everyone’s awareness of the fragility of life. The change in pace we experienced gave us a rare chance to much more fully appreciate its beauty and constantly changing states. In the piece of work I made for The Library Presents at the end of 2020, Let the Leaves Change, I was trying to visually communicate something about the magic of late autumn / winter. With my camera and my homemade light box I got deeply into looking at the incredible and intricate detail, colours and textures appearing in the leaves and in the natural world around me. I thought about the inevitability – Covid or no Covid – of change.. of nature moving with ease and without resistance, from one season to the next. 

This continuously evolving visual mix, produced by Collusion, was created to be back-projected at night into a town centre shop window in Wisbech and the library window in March. It included a layer of leaf drawings and designs made in collaboration with local communities. I really loved the raw quality achieved by mixing hand drawn and coloured leaves with layered filmed clips and I could see the potential for working more in this way….

My most recent piece of work Where Are We Now? was the product of an experimental 8-week programme, ‘Mindful Making’, designed to support adults experiencing mental health difficulties. We used a range of creative activities to explore the idea that if you immerse yourself in the creative moment you can temporarily suspend your worries & fears. Our aim was to create a relaxed, pressure-free environment and offer an open, fun and playful approach to making art. This project got very close to the heart of Unlocked Creative – encouraging people to be courageous and make instinctive decisions about what comes next. If we can let go of pre-conditioned ideas and get into the process of making something we can feel totally liberated & renewed. This is a healing, empowering and adventurous place to be that opens up all kinds of possibilities….! 

Written by artist, Michelle Brace.

@mich_unlockedvj

Director, Unlocked Creative CIC | VJ & Digital Artist

Listen to Michelle’s podcast episode here.

Read about Michelle’s Mantelpiece project here.

Evaluation Case Study: Creative Collective and Mantelpiece

This case study is part of our project evaluation for 2019/2020

We brought together a group of volunteers from communities in the local areas we work with. Known as the Creative Collective, they have worked with us over the last year to co-commission creative practitioners and plan arts activity in their towns and across the area. They got involved when we changed our programmes in response to Covid-19 helping us in decision-making for our micro-commission programme.

For one of the commissions, we wanted the group to have the chance to be participants too. They chose Mantelpiece by artist Michelle Brace. The project explored our connections with objects and their personal significance through recordings of each person telling the story of their object. Michelle encouraged the group to consider the meaning and memories behind their chosen objects and they worked together to learn and share digital skills needed for their recordings.

Download the full Creative Collective and Mantelpiece case study here.

Read the full 2019/20 evaluation report here.


An excerpt from the case study:

The Creative Collective directly builds on work developed in Phase 1 to give opportunities for local voice to feed into MarketPlace programming. The group had newly formed at the end of Phase 2 Year 1 and had begun joint planning a new programme of activity to roll out across the seven towns.

This year the Creative Collective has been integral in the commissioning process, user testing potential roll-out projects and matching artist ideas with relevant communities. The MarketPlace team identified a commission with the potential for cross-generational roll out across the towns. In discussion with the Creative Collective, they selected the commission as one they would participate in themselves.

Mantelpiece

Mantelpiece is a project in which groups share stories associated with objects to create a collective digital portrait of who they are to accompany their oral stories.

It has a very clear simple structure – set a group a brief to choose an object in their home and to share why it’s important, what it says about who you are, and a memory associated with it. In the sharing of the story, it gets recorded. Each object is photographed and composited into a group shot around mantelpiece, a place known for showing prized possessions.

Pictured: Left: The final image of the groups items in pride of place on the mantelpiece. Right: Screenshot of the audio files of the group telling the stories behind their chosen object.

Download the full Creative Collective and Mantelpiece case study here.

Read more about the Mantelpiece project with Michelle Brace here.