This case study is part of our project evaluation for Phase 2
In October 2020, artist Genevieve Rudd responded to the MarketPlace commissioning process of Creative Conversations in Lockdown with the idea of a workshop that would connect people, using creative activities to explore their local environment on their daily Lockdown walks. We developed the project in collaboration with Brandon Creative Forum and community members to become a digital guided creative walk.
In 2020, Genevieve had pivoted to Zoom group creative sessions during the first lockdown but had never undertaken a blended distance engagement approach to facilitate creative experiences. Enabling connection for groups unable to meet due to national restrictions and responding to a national trend of residents exploring their hyper-local natural landscape, this concept met the self-identified needs of local community groups that MarketPlace had been working with. The Creative Agents wanted to find ways to unlock doorstep curiosity creatively whilst enabling community groups to remain connected during the national restrictions.
Testing and trialling with community members who show a willingness to try something creates the potential for new advocates to learn and ensure that the ideas work before rolling out to wider, more cautious community members.
The Walk ’n’ Craft Group, based in Mildenhall, and the Can’t Sing Choir, based in March, participated in timed socially distanced (in line with the government restrictions at the time) group creative walks that were led by Genevieve using WhatsApp to send prompts.
Pictured: Left: Environmental artist, Genevieve Rudd sits on a tree stump, surrounded by the lush greens of Brandon Country Park woodland.Right: Genevieve’s mark-making drawing.
This case study is part of our project evaluation for Phase 2
We worked with two local residents, one from Fenland and one from Forest Heath, to support them as Community Producers in 2021. They brought local knowledge and contacts to commissions and events, developed their skills and made creative things happen in their places with their communities.
Developing local people in cultural opportunities helps upskill and raise the ambition of art appetites by creating ownership over the activities. The community producers operate as advocates and a trusted source for local people and businesses to engage and activity partner. This has become an organic evolution from the Creative Collective, and Creative Forum structures the team has created. They identify development opportunities for each member.
Identifying talent, creating opportunities and the space to step into learning and leading happens through a subtle approach on a project-by-project basis. First, local people are engaged through an invitation and a reassurance of their skills and abilities.
Newmarket resident and Creative Collective member Louise Eatock has a passion and interest in the music scene and organising pop-up activities in local venues, but has big ideas for Newmarket’s needs for local people. Louise met Creative Agent Ali at a local authority community network meeting during the first phase of the activity, and Ali supported Louise in delivering the workshop activity. When the Creative Collective formed in Phase 2, Year 2, Ali invited her to join the group.
Louise helped commission ideas for the new Creative Conversations In Lockdown model as part of the Creative Collective. This process identified a commission that Louise could support and co-deliver with the artists as a local community representative. In addition, working on the More than Music project with Matt Cooper and Leanne Moden enabled Louise to take on a different role as a community producer on the project.
“It’s been a good experience working with MarketPlace. Ali (Creative Agent) is super supportive; she has helped me understand what my role could be in the community. Because before I met Ali, I was sort of thinking that I kind of had to not only organise everything but do everything myself as well. And she’s introduced me to other artists.
I’ve got a much clearer idea of programming arts in the community through working with Ali, so it’s been a good experience.” – Louise Eatock, Community Producer
Hilary Cox Condron, Louise Eatock and Colin Stevens at Newmarket Earth Arts Festival 2021.
This case study is part of our project evaluation for Phase 2
Brandon Creative Forum is a community group established in the first phase of MarketPlace, delivering their first event in 2016. With MarketPlace support they have organised 4 local festivals with Tales and Trails 2019 their largest to date. We have supported them to continue local activities as far as possible through the pandemic, with all its challenges, and they are still growing from strength to strength.
In 2019 the group had no ambitions or desire to become a constituted group: they aspired to develop a central hub for cultural activity, enable the community to think about Brandon positively and organise events for everyone to access. At this stage, the group of 4 core leaders universally identified a desire to develop skills in commissioning and to consolidate their learning to date.
Throughout the pandemic, MarketPlace supported the forum and their wider community interest groups to remain connected, develop digital skills, and participate in shortlisting, commissioning, and testing new projects ideas.
Two members of the forum are also members of the Creative Collective. This enabled the group to identify learning from other towns and recognise their skills and achievements whilst participating in commissioning, shortlisting, and interviewing commissions.
“We still need youngsters to come in with us on the forum. And we are working on that, but it’s such a strange town. But having talked to Wisbech as part of the Creative Collective we can see that their problems are the same as our problems and then we could work out a solution together from that.” – Jill, Blanchard Brandon Creative Forum
Through remote working and digital connectivity with MarketPlace, the forum became more embedded in the team’s processes. It started to identify the community’s needs in the face of the pandemic, beyond activities and events for enjoyment.
By August 2020, the group took steps to become constituted and, in 2021, challenged what their perceptions of a central hub could and should look like by taking on a market stall to begin to reach wider communities.
Pictured: Left: Brandon Creative Forum member Jill Blanchard chatting to Brandon residents at the ‘See You Soon’ stall at the market. Right: Members of Brandon Creative Forum meet at Brandon Country Park to assess the area for the Walking Companions podcast project.
This case study is part of our project evaluation for Phase 2.
During the first summer of the pandemic in 2020, MarketPlace supported Wisbech photographers Jenna Bristow and Steve Hubbard of Click Therapy CIC to create a collection of images that tell a story of a town coping with Covid19. The project developed into an exploration into the connection between the medium of photography to support people’s wellbeing and mental health.
During the first summer of the pandemic in 2020, Wisbech photographers Jenna Bristow and Steve Hubbard of Click Therapy CIC created a collection of images that tell a story of a town coping with Covid19. As photographers interested in using digital cameras to support people’s wellbeing and mental health, they invited local residents to contribute three words that summed up their life experiences during lockdown as a portrait and record of Wisbech in that time. The Creative Conversations in Lockdown commission created a book of resident feelings and stories left over a dedicated phone and text service called Lockdown Easedown. They were capturing a universal moment in time this project was revisited for further development.
As the pandemic continued, a further investment was made to continue to evolve this project idea and document the impact of the latest lockdown on residents. The power of sharing and telling stories that resonated from the first book, ‘Lockdown Easedown’, was highlighted as a development opportunity to be embedded from the beginning of this second commission. Partnering with writer Bel Greenwood, lunchtime online workshops developed the creative writing skills and contributions of Wisbech residents, the Click Therapy artists and community organisers to reflect upon their experiences.
The participants wanted to share their stories more widely, they lent themselves to being performed but the participants didn’t want to do that themselves, so a connection with the local theatre group was made. The vulnerable nature of some of the stories being shared could have left participants increasingly vulnerable by sharing them directly, alongside developing new skills to adapt and perform their work. Drawing upon the skills and interests of community producer Jodie Hicks, she reformed her theatre troupe to bring the experiences of selected stories to life and launch the second book, ‘Surviving Lockdown’.
“I’ve been in a theatre group with my friends Chris and Glenn for a couple of years. So we haven’t actually done anything for a long time, and then I started working for MarketPlace. Colin, Creative Agent, spoke about my interests, and I said my primary interest is theatre and stuff like that. Colin, just kind of, came up to me and said, ‘I have an idea I’ve been working on with Click Therapy that would lend itself quite well to kind of theatrical reading. And would you, or know anyone, [who would] be up for it?’ And I kind of thought, well, it seemed quite ideal for us and to see them as kind of monologues.” – Jodie Hicks, Alternate Orbit Theatre
This case study is part of our project evaluation for Phase 2.
In 2020 Michelle Brace was commissioned by MarketPlace and the Creative Collective to pilot an objects-inspired oral storytelling project, ‘Mantlepiece’ to connect and celebrate communities. This project has since tested and developed it’s distance engagement methods as an intergenerational project between a school and a care home. In this latest testing phase the model trials democratised delivery and archiving potential within community organisations and by community advocates.
The first iteration of the project tested the model of remote recording and artwork production with groups during lockdown over Zoom. The first iteration saw the collective share objects and stories over Zoom and send their content to Michelle to create a SoundCloud library of their stories and a group portrait of objects to represent the group.
The sharing and intergenerational potential of the project, due to the nostalgia of items shared by people, resulted in a second commission testing a distance delivery model between a care home and a school group. This enabled sharing of heritage and learning about past generations whilst increasing the wellbeing and feelings of value felt by care home residents. This delivery model provided resources and instructions to staff to deliver the activity to safeguard against COVID-19 transmission. This resulted in an exhibition of the stories and objects including the responses of the children to the experience.
When MarketPlace was approached by Suffolk Libraries to partner on their Let’s Get Creative programme and platform development, Michelle’s project was a natural fit for working across multiple locations to create a sense of ownership and belonging of libraries with its existing users and new audiences. Objects and Stories is the latest iteration of this concept, testing a new devolved delivery approach.
MarketPlace has a specified geographical area for delivery and so Michelle delivered the project in Brandon, and Community Producer Louise led delivery in Newmarket, with mentoring from Michelle. A training day was held in order to reach the wider West Suffolk Libraries to support the staff through the experience and to explore the potential for delivering activity directly with their service users.
“When we did the CPD session with library staff I came away feeling overjoyed and convinced that this is a great idea and works with everyone. They all came with a story, some thought out, others grabbed on the go, but they each told a compelling story of who they are. The objects provide a lovely way to connect people and enable them to be vulnerable and share, as it’s an insight into who they are. They become not just a person in a library but a guy who had a fine art degree.’ – Michelle Brace, artist
I will be honest: to begin with, I didn’t miss the frantic journeys to and from the car, arms laden with P.A. equipment, with bags… bags of songbooks, bags of instruments (shakers, foot tambourines, hand bells, boomwhackers), bags of tea (3 kinds of), coffee, milk, squash (2 kinds of) and biscuits (numerous varieties). Then came the realisation that all my future work and income had gone.
Gone!
At first, I tried to continue as best I could – positively – and like so many , I spent time recording videos and posting online. I wanted to continue to reach out to the communities that I had established over the previous 4 years. I wanted them to have something to refer to – a kind of guiding light in the face of growing darkness. Listening to the birdsong in the garden, throughout last summer, I spent wondered for hours thinking about the people who I no longer saw; those with whom I no longer had a physical connection; those whose collective voices had been cruelly silenced by an unknown killer.
Unfortunately, the very nature of my work meant that not everyone could access and interact with online content. This got to me and gradually, I eased back. Sometimes, for no reason at all, I felt the unstoppable, overwhelming urge to weep, tears rolling down my cheeks with the realisation that I could not connect fully with others through the internet. I missed connecting in person: in real time. Several people who attended my groups have lost their lives since last March.
If they do return, my communities will not be as I knew them.
When lockdown eventually lifted last summer, the March Can’t Sing choir met up for several outdoor, Covid 19 secure, singing sessions. On those days, my heart burned as brightly as the summer sun and tears flowed down my cheeks, yet again, as I heard the collective voice soar as one with the buzzing bees overhead. It is something I will never forget!
People sometimes ask me why I lead people who ‘can’t sing’. Well, all I can say is that the very act of singing is a magical thing. Having a focus, having a purpose, connecting, breathing as one, having a go, laughing when things go wrong, being proud of something that you achieve, lifting depression, raising self-esteem, learning to use your body to sing, all brings people together in no other way that I know of… and it is so worth it!
As I reflect, I know that keeping my passion for singing is one thing that I will do. There is a new dawn on the horizon, yet the world on which it will shine is still uncertain. I still have my moments. I only hope that singing will rightly take its place, centre stage and re-unite communities once more.
This past year has challenged me to refresh my practice and align with new priorities. The world got into a slower gear but I felt a renewed sense of urgency for my work to be relevant and in some way useful and meaningful. For it to connect.
In ‘the age of isolation’ a priority human need surely has to be connection. We’ve all needed to reach out to others for mutual support. As a solo artist I’ve found working and connecting with communities of like minds online to be a lifeline. Virtual meet-ups, courses and skills sessions have been so valuable in helping me to meet new people, keep up to speed, deepen existing skills and, believe it or not…. get excited about the future!!
A lockdown commission opportunity with Marketplace prompted me to realise an idea which I’d had on my mental shelf for years gathering metaphorical dust. Mantelpiecewas about creating a community of voices, displaying treasured objects together – on a digital Mantelpiece – and sharing the stories they told. Mantelpiece – now in a new phase of research & development – was adapted for Marketplace to be a neat little creative conversation starter for online group work. The hope is also that the process of sharing such unique and personal stories helped to promote greater empathy, insight & understanding between the people involved.
I think that living through a pandemic has sharpened everyone’s awareness of the fragility of life. The change in pace we experienced gave us a rare chance to much more fully appreciate its beauty and constantly changing states. In the piece of work I made for The Library Presents at the end of 2020, Let the Leaves Change, I was trying to visually communicate something about the magic of late autumn / winter. With my camera and my homemade light box I got deeply into looking at the incredible and intricate detail, colours and textures appearing in the leaves and in the natural world around me. I thought about the inevitability – Covid or no Covid – of change.. of nature moving with ease and without resistance, from one season to the next.
This continuously evolving visual mix, produced by Collusion, was created to be back-projected at night into a town centre shop window in Wisbech and the library window in March. It included a layer of leaf drawings and designs made in collaboration with local communities. I really loved the raw quality achieved by mixing hand drawn and coloured leaves with layered filmed clips and I could see the potential for working more in this way….
My most recent piece of work Where Are We Now? was the product of an experimental 8-week programme, ‘Mindful Making’, designed to support adults experiencing mental health difficulties. We used a range of creative activities to explore the idea that if you immerse yourself in the creative moment you can temporarily suspend your worries & fears. Our aim was to create a relaxed, pressure-free environment and offer an open, fun and playful approach to making art. This project got very close to the heart of Unlocked Creative – encouraging people to be courageous and make instinctive decisions about what comes next. If we can let go of pre-conditioned ideas and get into the process of making something we can feel totally liberated & renewed. This is a healing, empowering and adventurous place to be that opens up all kinds of possibilities….!
This case study is part of our project evaluation for 2019/2020
We brought together a group of volunteers from communities in the local areas we work with. Known as the Creative Collective, they have worked with us over the last year to co-commission creative practitioners and plan arts activity in their towns and across the area. They got involved when we changed our programmes in response to Covid-19 helping us in decision-making for our micro-commission programme.
For one of the commissions, we wanted the group to have the chance to be participants too. They chose Mantelpiece by artist Michelle Brace. The project explored our connections with objects and their personal significance through recordings of each person telling the story of their object. Michelle encouraged the group to consider the meaning and memories behind their chosen objects and they worked together to learn and share digital skills needed for their recordings.
The Creative Collective directly builds on work developed in Phase 1 to give opportunities for local voice to feed into MarketPlace programming. The group had newly formed at the end of Phase 2 Year 1 and had begun joint planning a new programme of activity to roll out across the seven towns.
This year the Creative Collective has been integral in the commissioning process, user testing potential roll-out projects and matching artist ideas with relevant communities. The MarketPlace team identified a commission with the potential for cross-generational roll out across the towns. In discussion with the Creative Collective, they selected the commission as one they would participate in themselves.
Mantelpiece
Mantelpiece is a project in which groups share stories associated with objects to create a collective digital portrait of who they are to accompany their oral stories.
It has a very clear simple structure – set a group a brief to choose an object in their home and to share why it’s important, what it says about who you are, and a memory associated with it. In the sharing of the story, it gets recorded. Each object is photographed and composited into a group shot around mantelpiece, a place known for showing prized possessions.
Pictured: Left: The final image of the groups items in pride of place on the mantelpiece. Right: Screenshot of the audio files of the group telling the stories behind their chosen object.
This case study is part of our project evaluation for 2019/2020.
We’ve worked with Shelby, owner of the lovely Barleycorn Cafe in Mildenhall on creative projects over the last few years. Before the pandemic, we were running a series of taster sessions with local Meet Up Mondays group and creative practitioners from the region. The group enjoyed the activities and the company, feeling less isolated and more connected.
The Covid-19 pandemic changed everything and we had to stop the live programme. To keep something going, we worked with The Barleycorn and artist Marian Savill during the first lockdown to create a series of ‘make along’ videos about Art Journaling.
Find out the difference this project has made and the challenges of delivering online as we all adjusted to doing more things digitally.
The Barleycorn Cafe in Mildenhall is only three years old, but has become a hub in the community. They decided to start a Meet-up Monday group, hoping to tackle loneliness and isolation by offering a free cuppa and a place to chat and meet people. Working with owner Shelby and a group of regular Meet Up Monday members a taster arts programme was established to reach new audiences, create new art opportunities locally and increase well-being.
Tea and Tasters
A series of taster workshops were delivered with different artists for the group to choose one they would like to work with the longer term.
These workshops included:
creative journalling
singing
printmaking
ceramics
expressive drawing
Pictured:Three photos from the taster workshops. Left: For this workshop, the group were trying singing with singing teacher, Sally Rose.Sally is grinning while sat on a chair with a little guitar. Middle: The group were trying pottery. In this photo, Clare the artist is showing a member of the group how to throw a pot on a potters wheel. Right: The group were trying screenprinting. In the photo the group are sitting and standing around a large long table, with rollers, paint and printing stamps scattered on the table.
The group decided to pursue additional singing sessions alongside holding a longer creative journaling project using a democratic vote.
The plans for additional journaling workshops were curtailed by the pandemic. This resulted in a commission for mixed media artist Marian Savill to produce four online tutorials to journal from home, using resources you would find around the house.
Extending the commission in this way was a means of continuing to maintain the group’s connectivity. As well as to manage further isolation for this vulnerable group and transition activity into digital outputs in a meaningful way.
Pictured:Two photos from the taster workshops. Left: The group were trying pastels. In this photo, a large piece of paper has been covered in drawings in pastel, including images of coffee cups, flowers and words like “sun” and “hope”. Right: The group were trying art journaling. In this photo, a table is covered in magazines and collages.
Art Journaling with Marian Savill
Pictured:The opening image for Marian’s workshop. It reads “Art Journaling with Marian Savill” in collaged letters.
Initially the commission was developed as an experience for the Meet Up Mondays group to continue their journlling activity with Marian, during the first national lockdown through April – May 2020.
Marian was commissioned to make a series of four workshop tutorials and an introductory promo video. The tutorials cover how to make a book, creating backgrounds, adding text and embellishing your journal.
To mirror in-person experiences, the videos were launched weekly, on a Monday at 10am, within a Facebook event on the CPP MarketPlace account and the Barleycorn Facebook page.
Pictured:Two screenshots from Marian Savill’s Art Journalling workshops. In the images Marian experiments on her desk with paint, wax crayons and collaging in colourful handmade books.
